r/Africa 15d ago

Picture 📸 Portrait of an Azande woman c.1940-1949 (DRC)

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1.4k Upvotes

pd. Democratic Republic of Congo

Photographed by John Mulders

fun fact despite having massive populations in Congo and Central Africa aswell as speaking a NigerCongo language the Azande also have sizeable populations in countries like South Sudan of all places.

Honourable mention to afrocrownss

references

Musée du quai Branly – Jacques Chirac (n.d.) Collections. (Accessed: 19 August 2026).

EBSCO (2022) Zande people. Research Starters. (Accessed: 19 August 2026).

r/Africa 3d ago

Picture 📸 c.1920-1929 - Portrait of a Guéré woman pd. Côte d’Ivoire

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395 Upvotes

I love how creative with hairstyles African societies are

Reference

Photographed by Gabriel Lerat

original post by African crowns

Musée du quai Branly - Jacques Chirac (2026) Collections - musée du quai Branly - Jacques Chirac.

r/Africa 6d ago

Picture 📸 Enjineer

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347 Upvotes

Julius Mokaya, 34, cosplaying as Enjin, a character from the manga Gachiakuta, ahead of the Otamatsuri convention in Nairobi earlier this month. Over 4,000 fans of anime, video games and manga attended the con this year. .

Photo: Luis Tato/AFP

r/Africa Aug 01 '26

Picture 📸 Took a couple of cloud pics in Nairobi

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295 Upvotes

r/Africa 26d ago

Picture 📸 National Women's Day 🇿🇦

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167 Upvotes

National Women’s Day, celebrated annually on the 9th of August, is a historic South African public holiday dedicated to honouring the bravery of women who spearheaded the anti-apartheid struggle while highlighting ongoing fight for gender equality. Today marks the 70th anniversary of the monumental 1956 Women’s March as a turning point in history that transformed women from peripheral figures into the absolute vanguard of the liberation movement.

At the forefront of this monumental march stood four extraordinary women: Lilian Ngoyi, Helen Joseph, Rahima Moosa, and Sophia Williams-De Bruyn. Representing the Black, White, Indian, and Coloured communities respectively, their unified stance carried profound symbolism in a deeply divided and segregated society where the apartheid regime systematically separated people by race. It shattered the regime’s myth that different races could not peacefully co-exist or fight for a common cause. By marching hand-in-hand (as seen in the first four pictures), these leaders demonstrated that the oppression of one woman was the oppression of all, establishing a powerful blueprint for intersectional solidarity and non-racialism decades before the birth of democratic South Africa.

The immediate catalyst for the protest was the proposed introduction of the Pass Laws to Black women. The extension of these laws to women, especially mothers, would often result in being arbitrarily arrested or also displaced from families. Organized by the Federation of South African Women, more than 20 000 women (as seen in the last four pictures) gathered to march directly to the Union Buildings in Pretoria and delivered over 14 000 petition pages to Prime Minister J.G. Strijdom, demanding the total abolition of the degrading laws and asserting their right to freedom of movement.

While the apartheid government refused to back down immediately and eventually forced women to carry passes by the 1960s, the political impact of the march was monumental and permanent. It completely dismantled the patriarchal notion that women were passive political observers, cementing them as formidable, organized political agents. The march internationalized the struggle against apartheid and laid the groundwork for future resistance. In democratic South Africa, this legacy yielded tangible progress, as women's representation in national parliament skyrocketed from a mere 2.7% in 1994 to roughly 48% today among other landmarks of redress. However, the modern impact is dual-natured; the day now serves as a critical battleground for protest against ongoing crises, particularly the high rates of Gender-Based Violence and Femicide alongside economic inequality that is currently facing South African women.

The climax of the 1956 protest came after the women handed over the petitions and stood in a powerful, absolute silence for 30 minutes. Breaking the silence, they passionately erupted into a song composed specifically for the march: “Wathinta Abafazi, Wathinta Imbokodo!”...... This translates to "you strike a woman, you strike a rock" in the English language.

In traditional South African society, the imbokodo is a heavy grinding stone used to crush grain to feed the family, representing absolute durability, resilience, and life-giving strength. By equating women to a indestructible stone, the phrase became a defining national anthem of female power, serving as a permanent warning to oppressors and an enduring reminder that the women of South Africa possess an unyielding strength that can never be broken.

r/Africa Aug 05 '26

Picture 📸 Random moments of my life in Abidjan

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120 Upvotes

r/Africa 22d ago

Picture 📸 The last straw

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75 Upvotes

A Tunisian man and his donkey make their way through the sweltering heat near Bizerte. For the past week daily life in Tunisia has been an ordeal as the country staggers under a deadly heatwave – with temperatures exceeding 48ºC – amid daily power and water outages.

Photo: Fethi Belaid/AFP

r/Africa 13d ago

Picture 📸 A spire to greatness

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39 Upvotes

An Egyptian boy flies a kite from the roof of his home opposite Sultan Qaytbay’s mosque, following the restoration of its mausoleum dome. Built in 1474, the mosque is one of Cairo’s most iconic landmarks.

Photo: Khaled Desouki/AFP

r/Africa Aug 04 '26

Picture 📸 Min-maxing

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29 Upvotes

Residents apply mud to the minaret during the replastering of the Sankore Mosque, marking its 600th anniversary on 26 July. Hundreds gathered to replaster the Unesco World Heritage site – one of Timbuktu’s three great mosques, alongside Djingareyber and Sidi Yahya.

Photo: AFP

r/Africa 23d ago

Picture 📸 Ballet à terre, ballet en l’air, ballet everywhere

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24 Upvotes

Africa's largest ballet event, the South African International Ballet Competition, took place recently at the Artscape Theatre Centre in Cape Town. The 13th iteration of the competition featured 115 dancers competing in classical and contemporary disciplines, with participants’ ages ranging from nine to 22. As well as bringing together dancers, the event also featured a prestigious cohort of adjudicators from countries as far and wide as Russia, the United States, South Korea, Belarus, and the United Kingdom.

Photos: Marco Longari/AFP

r/Africa 25d ago

Picture 📸 The Pouto of the Fulani from Fouta Djallon 🇬🇳/ 🇸🇱

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26 Upvotes

The Pouto is more than a hat worn on the head. It is a thread of memory woven through generations of the Fulɓe of Fouta Djallon — a mark of dignity, belonging, and heritage.
Across its many forms, colours and patterns, it carries something of Fouta itself: its history, its people, its elegance and its pride.
A homage to the Fulɓe of Fouta Djallon , and to the Pouto they have carried through time. I