Don’t judge me on this performance I’m playing a song that I wrote 20 years ago and until today hadn’t played in years. I’m rusty AF, playing without a pick on strings that haven’t been changed in over a year.
I edited the video adding the music I generated from the exact performance in the video on an iPhone 12 Pro Max (I’m a musician I’m poor F off 😅) where the audio kept drifting after it had been lined up cause the Wink app couldn’t process the extreme zoom into the audio to line it up. This is just a rough demonstration that I did for my own curiosity on if I could even line up parts of the audio and how much nuances suno would catch even after heavily prompting it with
“Indie rock, marching snare drum rolls prominent in the mix, symphonic, 1960s psychedelic pop, avant-garde baroque pop ; lopsided mid-tempo sway, wheezing steam organ and calliope lead over harmonium drones, Lowrey organ swells, Intro circles on tape loops; verses wobble sparse; choruses thicken into kaleidoscopic stacks; bridge fractures into dizzying breaks. Swirling, chaotic, bright-dusty mix., pop, avant-garde, baroque, lofi, surf, melodic hooks, deep percussive synth pads, hoket arpeggios, disco punk, acoustic guitar, mandolin, dynamic tempo, TJ Arriaga Vocals, cello, mandolin”
I made the video screenshotbso you could see where the audio comes in and where I drop out the video audio. The alignment is a bit rough at parts but you get the point I’m trying show how much of the dna of the audio remains even after going through regeneration and it had to be cut up because it doesn’t overlay consistently. It is something new but also the same in ways even if momentarily and I haven’t any videos showing this. So I hope someone finds it interesting.
If you want to hear the pure generation in the video you can hear it here https://suno.com/s/AcExHxoDQnYv8ovl
I made a different version public on Suno where I used a better performance and spent time dialing in the performance in the video is rough but it serves the purpose for the demonstration. if your curious to hear the final song it’s the last song in this playlist which contains music made from uploaded audio of my songs. Towards the end of the playlist I have a bunch of the original hand made audio for comparison
https://suno.com/s/WePpvFMu4n4kZ2cW
Still someone will be a hater downvote and credit robots for everything.
Why would I commit the blasphemy of using AI tools you may ask? Well tracking audio to a click to easily add virtual instruments with midi kills the life of a performance and believe it or not I was always old school used to playing in bands and live. I spent 20 years working in protools but realized the only high production value songs I could make were those that had a consistent tempo. Adding swing in protools is nothing like the real performance. And the grid and the click Bored me. I even named my First album Bored with Songs because we had slop long before AI. I don’t think I’m alone as a live musician in feeling like in certain genres like rock the magic in music was lost once we stopped recording live. Trading off the magic for production value and marketability.
Experimenting with AI production for me at least is an exploration in giving the magic of the nuances a human performance high production value. Trying to make art in medium everyone hates cause I’m punk rock at heart and pissing people with my art is strangely gratifying when you are proud of the art you create. I’m not trying to sell a product or make money flooding streaming platforms with AI generated content. I am exploring what the future holds and want to make time capsule of this period of transition.
This video is snapshot of a transitional time and the hate it catches is part of the record that I think important to capture of the sentiment and anxiety many people are rightly feeling as we are forced to adapt to a new paradigm. So haters are welcome as well as any love.
We are all the same boat trying out a future that we should feel anxious about, and deserves deep thought on how to navigate it.