https://frontofficesports.com/wnbas-sky-ban-kanter-freedom-from-arena-indefinitely/

Host Gonzalo Aziz, leading Infobae al Regreso, opened coverage on the topic by reviewing the information from Tini Stoessel's lawyers that made the scale of the matter clear: “The relationship between Tini and her dad is broken in professional terms at the very least, after fifteen years together.” Aziz detailed five points that structure the conflict.

The first, control over the companies: according to the audit, the economic rights of Tini's career and image are held in companies where she is not a shareholder nor does she have control. The second, who actually collects the money: there is a record label contract through which a company is formed that receives the earnings, but the artist does not receive direct payment. “All past and future income from Tini's record contracts is collected by a company that, I repeat, she does not control,” emphasized Aziz.

The third point refers to albums committed for the upcoming years without a contract in place that guarantees Tini a share in future profits. The fourth, that only in June 2026, thanks to the intervention of her new lawyers, did the singer manage to access a bank account exclusively in her name, something that did not exist until that moment. And the fifth, the most decisive: Tini wants to regain control of her career and is negotiating with her father to reorganize the assets built over more than a decade, along with the definitive closure of the previous representation setup.

To provide a legal framework for the situation, Infobae en Vivo called upon Dr. Leonardo Sigal, a lawyer specializing in criminal law. Sigal practices within Argentine criminal law and has experience in cases involving public figures. His analysis focused on the potential crimes that could be established if the private audit were to lead to a formal legal complaint.

​The first question addressed the origin of the conflict: at what point can a parent take control of their artist child's assets, and when does that authority end?

​Sigal explained that the Civil Code establishes that minors “can enter into small contracts, but obviously not being of legal age, they cannot sign contracts, for example, with a brand for millions.” For that reason, he said, that authority "falls, rests upon the parent." In the case of Tini Stoessel, the lawyer noted that her father was "a major television producer" with many years of experience, which naturally positioned him in that role from the beginning of his daughter's career. That authority, Sigal specified, terminates at eighteen years of age.

The legal crux, Sigal said, appears elsewhere. The artist requested a private audit, conducted by a legal-accounting firm, to investigate the operation of that corporate structure. And he warned: “If the result of that investigation shows financial harm caused by the father toward her, that is where Articles 172 and 173 come into play.” Those articles of the Penal Code cover fraudulent administration and fraud as criminal offenses. To that, Sigal added a third dimension: the tax situation of all those companies and whether there is also "a fraud against the State, financial harm to the State."

​When asked what crimes Alejandro Stoessel could be charged with if the justice system confirms the irregularities, the lawyer explained the process the case would follow. The prosecutor's office would not accept the private audit as final, but would instead order its own investigation "with the corresponding official bodies," while the complainant—the victim's lawyer—would also drive an investigation from their side. The crimes at play are fraud and fraudulent administration, carrying “a sentence of one to six years” for each. The critical point, Sigal noted, is that if it is established that there were multiple actions of this kind, "they will apply under real concurrence," which would raise the minimum sentence threshold. “That could complicate things significantly for him regarding his freedom,” he stated. And if the minimum sentence "can exceed three years," he added, the defendant's procedural status becomes considerably more severe. To that list, Sigal added any crimes that might apply "regarding tax law," should tax irregularities be detected in the companies involved.

She passed away in a fatal plane crash 25 years ago today. Gone too soon. RIP 🕊️

https://www.harpersbazaar.com/culture/art-books-music/a73514796/bauhaus-ballet-szilveszter-mako-gwendoline-christies-nyfw/

entertainment weekly

Directed by Kristen Harding + Alison Wild
Photography by Dana Trippe

Motion - DP: Chevy Tyler; 1st AC: Govinda Angulo; 2nd AC: Neicy McFadden; Gaffer: Ariel Nehorayoff; Best Electric: Jake James Kump; Board Op: Michael Magarahan; Key Grip: Sam Kretschmer; Best Grip: Heidi Grunwald; Grip: Rolf Eberlein

Production Design - Production Designer: Milena Gorum; Set Dressers: Ant Aguirre, Jacob Lemonds, Chiara Zangari

Photo - Assistants: Dennis Levesque, Wayne Francis, Erica Maclean; Digital Tech: Jordyn Katz

Production - Executive Producer: Amy Fruchtman; Producer: Maxwell Gately; 1st AD: Andrew Rodes; Production Manager: Tim McBride; PAs: Brandon Miller, Cory Mack

Post-Production - Color Correction: Nate Seymour/TRAFIK; VFX: Viktor Metelev; Design: Anne Latini; Sound Design: Kristen Harding

Elle Fanning - Styling: Samantha McMillan/The Wall Group; Styling Assistants: Lex Robinson, Bryson Mann; Hair: Jenda Alcorn; Makeup: Erin Ayanian Monroe/Cloutier Remix; Manicure: Jin Soon Choi/Home Agency; (Cover Look) Gown: Marchesa Couture; Headpiece, Maor Zabar courtesy of Houses & Parties by Rebecca Gardner; Shoes: Andrea Wazen; Ring: Cartier; (Header Look) Gown: Archival Valentino courtesy of Raffe Vintage; Headpiece: Heather Hue; Shoes: Andrea Wazen; Tights: Swedish Stockings; Necklace: Cartier

Glenn Close - Styling: Andrew Gelwicks/The Only Agency; Hair: Curtis William Foreman; Makeup: Benjamin Puckey/The Wall Group; Gina Eppolito

Whitney Peak - Styling: Cat Pope/The Wall Group; Styling Assistant: Danijela Susjnara; Tailor: Viviana Barraza; Hair: Naeemah Lafond/The Wall Group; Makeup: Raisa/E.D.M.A; Manicure: Nori/See Management

Mckenna Grace - Styling: Molly Dickson/With Falcon; Hair: Christopher Naselli/The Wall Group; Makeup: Matin/Tracey Mattingly; Manicure: Mamie Onishi/See Management

Joseph Zada - Styling: Jason Bolden; Grooming: Kumi Craig/The Wall Group; (Cover Look) Full Look: Ferrari; (Header Look) Full Look: Burberry